Rates

PRODUCTION CREWS

Pulse Media’s production team delivers expertise and innovation in any situation.
Our flexible and resourceful combination of talent and technology ensures that your production will be a success.

Pulse Media is fully insured w/liability, workmen's comp, & equipment coverage
Our crew vehicle is included and always has AWD for inclement weather
A variety of news bureau support services are also available, including HD tape feeds and HD live shot studio
We emphasize service and support - Let us know what else we can supply or arrange for you

Crews include Videographer, Sound tech, and our Extensive Equipment Packages
Compare the details – We’ll save you money!
NABET, IBEW & IATSE crews available. All our Cameras are 16:9 widescreen capable and will shoot PAL frame rates.

Full days are 10 hours, door to door, half days are 5 hours, door to door.

EQUIPMENT INCLUDED

Wide angle lens
Sachtler 18P tripod
Panasonic 8.4” or FSI 20” HD LCD Monitor
Sound Devices stereo mixer with recorder, Sanken CS3e Shotgun mic with VDB Boom pole
4 Lectrosonics UHF Wireless mics with 3 Tram Lav mics and 1 EV RE 50B Cardiod Mic
Grip kit/Flex-Fills/C-Stands, camera light
Large LED Soft Light and at least 7 other instruments
Matte Box w/Polarizer, Black Pro-mists and some effects
Laptop and video interface for Zoom, Skype, etc.

EXTRAS:

LiveU-600 HEVC bonded cellular transmission backpack - $500
Overtime over 10 hours - $160/hr
Mileage - 50¢/mile
400w HMI equivelent LED - $75
Motorola GP-300 Walkie-talkies w/intercom headsets - $20 ea.
Drone, Jib, motorized slider, small gimbal, Sony A7sii
Underwater drone
4K Aerial drone and licensed operator

PLUSE ALSO OFFERS:
Complete crewing; PAs, Grips, make-up, etc.
A multi-camera switcher fly-pack
HD Studio live shots & tape feeds via LTN
Single call booking for Crews and Satellite trucks
30x30 studio space with Green Screen

EDIT SUITE

VIEW EDITING RATES - PDF

$125 per hour (4 hour minimum, NTSC or PAL)

Final Cut Pro X HD Non-Linear System with:

50 Terabytes of hard drive space
Fast MacPro computer
HD & SD Serial Digital, Component, and Composite Inputs and Outputs
Source from & Record to:
- DVCProHD, XDCamHD 422, HDV, BetaSP, DVCam, PAL DVcam, or MiniDV
- Source only from BetaSX, DVCPro, DVCPro50, DigiBeta.
Unlimited Tracks of Audio w/Parametric EQ, Real-time effects with audio dynamics and reverb
Up to 99 Tracks of Video
Full Character Generation for Static and Moving Titles
Hi-Res Legal Size Flatbed Scanner
Adobe Photoshop, After Effects, Boris FX, and many more

Cinelook & Ultimatte
High resolution video monitors, waveform & vectorscope
10-bit uncompressed SDI I/O: 1080i, 720p, 525/60 (NTSC), 625/50 (PAL)
10-bit uncompressed component video I/O 525/60 (NTSC), 625/50 (PAL)
All-On-One Mastering: capture and conform to and from multiple HD and SD resolutions
Real-time, broadcast-quality HD to HD, HD to SD, SD to HD format conversion
Real-time aspect ratio conversion
Simultaneous HD and SD output for program out and monitoring
Mix any supported codecs in one timeline— without conversion or rendering

We also offer on-site editing, tape feeds via fiber, and satellite trucks uplinks.